THE UNIVERSE IS IN MY HANDS
today i started with some studio preparation,
been unpacking and testing my harmona organ and hohner electronium
Today 3-12-2020 Jean-Luc Godard will be ninety-years young!
There is only one JLG, and we all have our own Godard. To me JLG is like
Moving Poetry. The sharpening of the mind, the dancing thoughts.
Beautiful moments, the act of creation, this designing of meditations.
The power of things to move us ‘MONO NO AWARE”, this process of ‘the moving’, that what ‘moves’ us, is what triggers me, haunts me, fascination, sensations?
The moving image, the movings clouds, the edit/ montage, the substance, the contrast.
It is easily found in such things like desire, passion, this raw emotion that sets the wheels in motion, but it is also found in the delicate, almost unnoticeable things that move us, like the wind in trees.
I’m a researcher of movement, the ‘mono no aware’ the power of things to move us.
And here i find support in the work of others, Jean-Luc Godard, Francois Jullien, William Burroughs, Toru Takemitsu, Jurg Frey.
There’s great beauty in this study of the ‘mono no aware’ but also great danger, because you so easily get in a state of excitement , and you are no longer studying, and perhaps loose track and get lost for some time or…….
- on January 3 -2018, i received an email from composer Antoine Beuger [https://www.wandelweiser.de], in which he introduced me to an inspiring lecture of John Holloway. The title of the lecture: ‘NOW IS THE TIME TO LEARN HOPE’
Here is the link to the lecture:
- not so long ago i saw an interview with Yanis Varoufakis, a Greek economist, academic, philosopher and politician:
i felt inspired by his hopeful attitude towards a new economic thinking.
Varoufakis is one of the founding members of DiEM25, you can find
mor info here: https://diem25.org/
i felt the urge to pay attention in this post to these people who are trying to get across the idea of change, hope and fairness for the majority.
i like to dedicate this song to them.
USE HEADPHONES FOR THE BEST DETAILED LISTENING EXPERIENCE!
A lot of the music is soft, in terms of loudness. This is an essential part of the music.
‘i’m trying to hold onto my own thoughts.
What about words? Where do our words come from?
Maybe men talk incessantly, as if searching for gold..
in their quest for the truth.But instead of digging in riverbeds,
they dig deep in their thoughts. They cast aside all the worthless words.
And they end up with just one. One single golden word…silence.’
[Jean-Luc Godard ‘le Petit Soldat’]
Most people specialise in one thing, and sometimes become a genius specialist. Designing cars, writing books, making money, making films, making war, philosophise, designing chairs, making peace, composing, the list is as long as there are people specialising in one thing.
Some people specialise in 2 or 3 things, sometimes completely different things, sometimes combinations.
JLG concentrates on different design tools that will fit his meditations at hand. This is the JLG that came into my life while being a teenager. And all along he’s been giving me tools to improve myself.
What has this to do with FILM? Is JLG a filmmaker? I say, he is a designer of MEDITATIONS. But JLG has something to offer for all of us. He is a homo universalis!
This meditation-maker will take you on an endless tour, showing you editing, graphic design, the art of color, sound-art, collage, politics, history, the art of motion design, films for the ear, trailers, ….
His meditations are confronting, puzzling, provoking improvisations, sometimes in the form of a movie or a documentary or a mix of both, but mostly they are essays using son+image.
Through the years I’m making my conversations with JLG, there’s always a moment in time where I feel inspired to give him some credit. Like a title! So when I was composing some music for electric guitar and the EHX FREEZE, I knew that one of them would be a ‘salut’ and indeed ‘ à Godard ‘ turned out to be the one.
‘ à Godard ‘ = Part of a collection of Solo Pieces for Electric Guitar and EHX Freeze
inside the Black Book 2015-2019
system diagrams, modulair thinking, composition, notation
[20 p.] composition for solo electric guitar and EHX Freeze
If you are interested, write me!
a selection of 11 studies for the ehx FREEZE are brought together in this collection.
Instrumentation for guitar [s], vibraphone, percussion and ehx freeze
In 2019, my ‘edition 2018/2019’ was completed. Around 30 compositions researching the use of the EHX FREEZE in a contemporary setting, electric guitar and vibraphone.
Time to move on!
Next collection: works for solo electric guitar and freeze
the Electric Guitar Organ [EGO]
Where does it come from and what does it do?
the EGO is an instrument consisting of an electric guitar and some pedals with a special routing.
this special routing makes it into a breathing organic instrument, like a harmonium.
[to see and to make this routing yourself look at the ‘system diagram psd’]
where does it come from?
ever since i began playing the electric guitar i felt that the sound reminded me of an organ sound.
I felt deeply attracted to this sound, to me it was pure sound of great quality.
i never questioned this but from time to time i wrote some notes about it in sketchbooks or heard music on records where the two instruments [electric guitar and organ/ harmonium] were used.
Between 2008 and 2014 i was, together with Luuk de Weert, doing a project concentrating on electro acoustic music which gave me new ideas about sound[s], Later on i got interested in making these sounds in the ‘real world’. [from laptop to analog instruments]
Modulair thinking had entered my musical world.
But it was only until i began to study the music of Morton Feldman that my quest for the electric organ sound could really begin. Bellows and breathing:
the main thing is breath, breathing. this concept is vital.
Listening to some Feldman compositions [Piano, Violin, Viola, Cello; Piano and StringQuartet] i noticed the way the strings moved, like a bellow.
I realized that the foundation of this electric guitar organ might be found in this breathing organism. But how to translate this concept to the guitar? And here my modulair thinking helped me out. It might have to do with routing.
I started experimenting with some pedals and slowly slowly my guitar started to breathe.
The solution [to this point] that is most satisfying consists of a Freeze sound retainer and a volume pedal.
The routing was the most challenging part, but once found is extremely simple.
You just take the volume pedal away from its traditional place at the start of a chain and bring it to the end.
As you can see in the system diagram you need 2 Freeze sustainer pedals and 3 Volume pedals for best results. So you always need one Volume pedal extra [the one you use to get a controlled signal out of your guitar].
So this is all about SOUND, the realization of a soundwish.
How to use this sound, in composition, is for another story.
andré hogeslag/ sijme storm